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DVD release (ironically billed as the "Director's Cut") were issued only with this audio track. Images copyright 2012-13 Lionsgate and Ghost House Pictures. Their remarks are complemented by clips from the film. She appears to both love and hate the box, but her true lack of affection for the box shines through when she lifts a hammer to destroy it. What ensues is a perfectly rote example of exactly what you'd expect about any film that follows in the formidable wake of The Exorcist (and whose director makes no bones about having been deeply influenced by the Friedkin film). Remove tracking Cancel . This track was never used by Zulawski, but nevertheless made its way on several releases in the eighties, and it's a cool extra to have.

BLU-RAY DISC CONTENTS:. There are a few instances where color breaks through the bleakness - typically heavy reds. That said, the image here is very crisp and well defined, unless it's specifically designed not to be, as in a climactic scene in a red hued morgue. The end. It is strongly recommended to watch the film with the original director's approved audio. Bornedal is kind of spooky to listen to, whether intentionally or unintentionally. I'm just pleasantly surprised at how strong it is compared to the direction that the genre has been taken as of late. Between this and the Lionsgate vanity reel that follows, we are given a quick preview of how dynamic, loud, bassy and rumbly this well-spread mix is going to be. Catalog#: MVLE005.

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